MAD MAX: The New Face Of Road Rage After 30 years

PLANET GRIFFIN WEEKEND EDITION takes in the trilogy that redefined Post Apocalypse--- GEORGE MILLER'S MAD MAX Trilogy! What makes this so special is that today marks the 30 year anniversary of the first film, as well as Miller's announcement of finally deciding on who will play the coveted role of Max Rockatansky in his long awaited sequel, MAD MAX: FURY ROAD...
British actor TOM HARDY, who recently finished BRONSON (a film that transformed presumed pretty boy Hardy into real life hardened criminal Charles Bronson; shocking the hell out of audiences everywhere). Needless to say, after the sad realization that Mel Gibson was too old to assume the role he made famous, as well as the surprising decision to pass on obvious choice SAM WORTHINGTON, Miller silenced all of his critics and made them sit up and take notice.
Production has now commenced on the new film with shooting prepped to begin at the start of 2010 with a 2011 release. Miller has also shared his plans on continuing the storyline left off from Beyond Thunderdome rather than reboot the series from scratch. The director stressed that this new film would be 'epic' in its scope and '... prove beyond all doubt that the Mad Max character will once again sit atop the heap of the action hero pantheon...' Also, Miller's veilled musings of 'big surprises' already have many a blogger wondering if Mel himself would make an appearance.
As a big fan of this classic 80's series, I'm really hoping that Miller can pull this one off. I'm already a little jaded at Hollywood's tirade of remakes and continuations of franchise pictures that simply don't work (unless you count JJ ABRAMS STAR TREK, which was a great exception), so for Miller to return to the franchise he made great in the 80's, I can only hope that he or Hollywood doesn't screw up this one for the sake of a quick profit... In other words, a PG13 rating just ain't gonna cut it. You know what to expect should this movie go megaton--- I'll have no problem cheering it on in a future review drinking coffee out of a Max Rockatansky mug.

This will be the new face of road rage in a future where seatbelts no longer exists. This is PLANET GRIFFIN WEEKEND EDTION.

THE BIG BUZZ: The Wild Life Of A Born Storyteller

My grandfather was a Johnny Cash fan when I was a kid. My granddad used to say, "Whenever you want to listen to a born storyteller, you listen to the Man in Black". Once I heard it for myself, I understood that meant. Visual storytelling through sound was Johnny's forte that still stands to this day. For German artist REINHARD KLEIST, it was a no-brainer... One born storyteller telling the tale of the other.

JOHNNY CASH: I SEE A DARKNESS OGN, which has already won numerous international awards, including the Max Und Mortiz award (Germany's equivalent of the Eisner award here), has now arrived here in an english version available through ABRAMS COMICARTS, and features the life of Cash from childhood to the infamous concert held at Folsom Prison, which cemented his legacy and stands as the centerpiece of this book.

This book is a prime example of why I love the storytelling medium. Kleist uses the prison sequence as a parallel to the singer's own tribulations in life. From the hard partying to the drug-induced hazes between performances; the physical, chemical, and emotional walls built up around Cash's life was something the late singer struggled with his entire life. The intertwining of both sequences around the recount of Glen Sherley, an actual Folsom inmate who met Cash at that time, is pure genius. The monochrome black and white wash style is straight to the point in this one, creating style without being stylish or overly flashy... Just like the man himself.
PLANET GRIFFIN definitely concurs with the buzz surrounding this one. The biggest challenge is catching a copy when it hits the shelves. This is THE BIG BUZZ.

Nothing New Under Where The Sun Don't Shine... And That's Just Fine!

The world of high concept style in regards to cosplay has never been a secret. Recently, one of its hottest trends is nothing new, but an old school fashion that's never gone out of style! Ero-cosplay (Erotic Costume Play for you latecomers) idol USHIJIMA recently shot displays of fundoshi (a traditional male underwear stretching back a few hundred years in Japan) for Sankaku Complex,
revealing a new sales trend for women (who traditionally are viewed wearing no bottoms in Japanese practice).

Now, the closest this trend has ever gotten in America is the thong, and even then, it's not for everyone! But here at PLANET GRIFFIN, you gotta admit, it's quite the sight to see!

UnEqualed: Edward Woodard RIP

Wow... PLANET GRIFFIN remembers one of the baddest Brits since Michael Caine's GET CARTER, Thespian EDWARD WOODARD, who died today at the age of 79.

Starring in films like BREAKER MORANT and THE WICKER MAN, Woodard is more famously known to America as 'fixer' Robert McCall in the hit 80's show THE EQUALIZER (88 Episodes) and his hilarious return in Edgar Wright's HOT FUZZ. PLANET GRIFFIN salutes you!

THE BIG BUZZ: Ed Brubaker's Angel Of Death!

PLANET GRIFFIN is back in orbit, bringing you the coolest in Alternative Pop Culture! Here's something I stumbled upon a few days ago... ED BRUBAKER, that mad writer of comic crime fiction (i.e., CRIMINAL), has been doing a little moonlighting in the film industry as of late. ZOE BELL ( UMA THURMAN'S stunt double in KILL BILL and the star of Quentin Tarantino's DEATH PROOF), LUCY LAWLESS (XENA), and TED RAIMI (Extra Extraordinaire and brother of SAM) have taken part in a webisode series called THE ANGEL OF DEATH, featuring Zoe as EVE, an assassin with no remorse, who learns how valuable that remorse can be after sustaining a knife to the head ( trust me folks, you definitely don't wanna miss THAT scene!), forcing her to remember ALL of her past kills!
Recently, the release of the DVD compilation of season one has caused a buzz among new viewers, hoping to find it on the web
( which, by the way, you can find the first 4 episodes via Youtube). After checking out myself, I agree that this flick ROCKS! Of course, I'm a geek of discriminating taste, so what do I know?! PLANET GRIFFIN will feature these episodes here, so stay tuned for Season Two, which is enviably coming! Check it out for yourself and see if this doesn't motivate some of you creators-in-training to get off your ass and CREATE something, cuz Brubaker damn sure did!

PLANET GRIFFIN WEEKEND EDITION: Assassins' Creed Film Series

PLANET GRIFFIN returns, after a bout of technical difficulties, returns to broadcast depth with the WEEKEND EDITION! Today, the PLANET returns to the world of ASSASSINS' CREED with a new series of short film episodes that serves as a prequel leading into the game.

Episode One: 1476 Florence, Italy.
Assassin Giovanni Auditore investigates the murder of the Duke of Milan, and uncovers a conspiracy that implicates some of the most powerful families in Italy, and quite possibly, the Vatican itself! Giovanni must expose the web of treachery before he himself is assassinated!

The PLANET has come back, folks! Enjoy the weekend and stay tuned for the new features to come!

Feeling Like You're On Another Planet...

They say there's nothing new under the sun anymore... Everything's a derivative of something else. From conceptual to realization, the idea generators that be tend to either 'remake' foreign series for an American audience or 'smashgenre' (mish-mashing various genre types together)... In the world of television, you've seen it in everything from Australia's 'Kathy and Kate' ( Dud) to the BBC's 'The Office' (Hit), to this interesting little remake whose original series sparked the imagination...
LIFE ON MARS.

The two versions were written similarly, both with great casts and an even greater premise:

In 2008, Police detective Sam Tyler (UK's John Simm/USA's Jason O'Mara) is struck by a car, only to awaken back in time as a police detective in 1973. Stunned and bewildered, Sam continues his police work under the command of Gene Hunt (UK's Philip Glenister/USA's Harvey Keitel), trying to figure out why he's stuck in time, and more importantly, if what he sees and feels as real IS real. The real kicker of the series is keeping the audience guessing whether Sam's gone mad, he's in a coma (both of which living inside his own head), or actually back in time.

Each episode offered clues to what could be (seeing lost souls, hospital 'progress reports' on Sam's condition bleeding in through radio and TV broadcasts, the odd character suffering from the same 'lost in time' condition, and let's not forget about the little spaceships... Yeah, you heard me right...), making for an interesting mix of sci-fi and police procedural. I found the BBC version to be incredibly thought-provoking as Sam figured out what happens, going back to present day, yet longing to get back to 1973 (To which, Sam jumped off a building to solve that problem). The American version was slightly different, where Sam learns the answer by 'waking up' to realize that he's 'living' the David Bowie song... (The series writers of the American version were hard pressed to come up with a series finale that could actually make sense seeing as how the network pushed the series producers to rush the end due to poor ratings)

If you haven't seen either series, PLANET GRIFFIN recommends you give them a try--- the BBC series is vastly superior to its American counterpart, sad to say, but then, a radical idea must have an equally radical pair of balls to realize it. (The moral of the story, folks) The American cut, recently released on DVD, is still worth viewing (only the crappy ending kills it, everything else is actually pretty cool). In addition to radical ideas, the BBC gave it another go in a sequel series in which a future female detective awakens in the 80's (at least she was spared the era of The Mary Whitehouse Experience), struggling to find her way back while investigating a serial murder spree.